This paper examines the relationship between the American Exhibition of 1887 and the Wild West London season as cultural exports. I argue that 1887 tour marked the beginning of a new phenomenon in transatlantic culture even as the US and Britain were experiencing a period of high nationalism. By examining the 1888 version of Cody’s autobiography, particularly The Wild West in England, I will discuss how the frontier came to be defined in both nationalist and transnationalist terms. Cody’s autobiography demonstrates the role spectacle and ritual play in articulating a sense of national identity.
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“American Exhibitionism and Frontier Performance in 1887 London,” Frank Christianson, Brigham Young University
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